In Simulated Memory, I wanted to explore the shifting boundaries between authentic recollection and artificial reconstruction. I combined layered holographic images with subtle distortions to evoke the sensation of remembering moments that never truly happened. Each flicker of light, every hazy fragment, suggests a memory engineered rather than lived, urging viewers to reconsider what they trust as truth. By immersing myself in these recreated traces of experience, I sought to raise questions about nostalgia, identity, and the delicate interplay between what we remember and what we believe we remember.